Sananda Maitreya - Bondage (Lyric Video)
26,535 views 3 months ago
BONDAGE, Physical, Psychological, Emotional, Bearing the Burden of the Worries Of Our Times, the Weight of our Distress We’ve All Been There, So We Know ! Life Is Habit Forming & In Our Secrets, Vices Wait. Enjoy ‘Bondage’ ! Sananda Maitreya ! Follow and listen to Sananda Maitreya here: https://linktr.ee/sanandamaitreya Follow Sananda Maitreya on: Website: https://www.Sananda.org Facebook: https://www.facebook.com/sananda.org/ Instagram: https://www.instagram.com/sananda.mai... Twitter: https://twitter.com/SanandaMaitreya YouTube: https://www.youtube.com/SanandaMaitre... Listen to Sananda Maitreya on: Spotify: https://open.spotify.com/artist/6RGxL... Apple Music: https://music.apple.com/us/artist/san... Deezer: https://www.deezer.com/pt/artist/561821 YouTube Music: https://music.youtube.com/channel/UCP... Lyrics: Come On & Spank Me Mama Don’t Have To Thank Me Mama Come On & Spank Me Baby Don’t Have To Thank Me Baby I Wear the Leathers Of Bondage I Wear the Spikes & Chains I Stroke the Feathers Of Homage (“It’s ‘Ha-MAHJ’- SHUT UP !) To Liberate My Pains I May Look Dumb But I’m Having Fun I May Look Dumb But I’m Having Fun It May Look Stupid But I’m Still Gonna Do It & I Don’t Think I’m the Only One & I Don’t Think I’m the Only One I May Look Dumb But I’m Having Fun It May Look Stupid But I’m Still Gonna Do It A Rabbit’s Foot & A Monkey Paw Monkey Rita Ta Ta Ka Mocka Sa Monkey Rita Ta Ta Ka Mocka Sa & I Don’t Think I’m the Only One You Can Blame Posession Because It’s Very Real But It’s My Obsession I Have A Heart To Heal I May Look Dumb But I’m Having Fun I May Look Dumb But I’m Having Fun It May Look Stupid But I’m Still Gonna Do It & I Don’t Think I’m the Only One I May Look Dumb But I’m Having Fun It May Look Stupid But I’m Still Gonna Do It A Rabbit’s Foot & A Monkey Paw Monkey Rita Ta Ta Ka Mocka Sa Monkey Rita Ta Ta Ka Mocka Sa & I Don’t Think I’m the Only One I Spoke To Muddy Waters & John the Conquer Root I Spoke To Robert Johnson In His Pinstriped Suit I Fucked the Devil’s Women & I Drank the Devil’s Wine His Dogma Chased My Karma Because My Name I’d Never Sign I May Look Dumb But I’m Having Fun I May Look Dumb But I’m Having Fun It May Look Stupid But I’m Still Gonna Do It & I Don’t Think I’m the Only One I May Look Dumb But I’m Having Fun It May Look Stupid But I’m Still Gonna Do It A Rabbit’s Foot & A Monkey Paw Monkey Rita Ta Ta Ka Mocka Sa Monkey Rita Ta Ta Ka Mocka Sa & I Don’t Think I’m the Only One Come On & Spank Me Mama Don’t Have To Thank Me Mama Come On & Spank Me Baby Don’t Have To Thank Me Baby Words & Music by Sananda Maitreya – © 2024 TreeHouse Publishing VIDEO CREDITS: Production Company: TreeHouse Publishing & Eidmar Productions Producer: Francesca Francone Maitreya Directed by Alan Smithee & S+ Screenplay by Sananda Maitreya Visual Effects & Color Correction by Luca Demilio Special Thanks to: Alan Smithee & S+ & to the wonderful TreeHouse Publishing team, you rock! SONG CREDITS: Title: BONDAGE Written, Arranged, Produced & Performed by Sananda Maitreya. Words & Music: Sananda Maitreya. Label: TreeHouse Publishing Instruments: Sananda: Vocals, Drums & Drum Programming, Guitars, Bass, Synth, Electric Piano, Percussion. Rec & Engineered by Raffaele Stefani at TreeHouse Studio A, in Milano. Mastered at Energy Mastering by Claudio Giussani in Milano. Published by TreeHouse Publishing & BMG UK. #SanandaMaitreya
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VENI, VIDI, VICI, SUSHI! RETURN TO ZOOATHALON LIVE IN JAPAN! We were in TOKYO, just in time for Spring to emerge from its Vernal Stupor and for its Transformative blush to greet us with her Flagrant blooms, and the Fragrant flowers which hung from her trees like the Lapping tongue of a Pussy cat, licking its fur for purrs of Satisfaction. No one who has been to Tokyo ever forgets her. She is ancient and coy, Parallel yet Adjacent, modern and brashly bold. She is a Neon Enema. A tempest's foil, an Architect's wet dream. She is the future now! She is the past coiled in the shape of cluttered aspiration. She is lopsided. She grins with buckteeth and moist lips. She is Lancelot's Lady In Linen. She Tickles, She Teases like Topspin, She Asphyxiates. She grinds, and THEN she gives. Her WEEBLES WOBBLE, But They DON'T FALL DOWN. She invited us to come and bring Post Millennium Rock and our passports with us, and we came. Nick, Enea and I, armed only with our RETURN TO ZOOATHALON set list and a few timely Whisky, Lime and Cokes, aimed ourselves towards the stage at the famed BLUE NOTE, with a chance to share our impression of where the music and the road have taken us, so far. We have always loved playing for Japanese Audiences; it is a privilege and always a Fun and Surreal adventure. And We Were There just as the Cherry blossoms were sighing their surrender across the winds that carried them, ever deeper into the hearts of those who inhale their own Surprise, and even Dare to Dream! Here is RETURN TO ZOOATHALON: LIVE AT THE BLUE NOTE, TOKYO. Please enjoy, and forgive our human errors! We thank the Blue Note Tokyo for their hospitality. Sananda Maitreya: Vocals, Guitars and Keyboards, Songs. Enea Bardi, 'Il Conte', Bass (and kazoo). Nick 'The Sticks' Taccori: Drums, Percussion and Vocals. Music engineered and mixed by Matteo 'Sergente' Sandri. Courtesy of Treehouse Publishing 2013. All rights reserved. SOMETIMES, THE MOST DIFFICULT THING TO SEE IS THE OBVIOUS. This music is dedicated to the liberation and not the further fragmentation of the human soul. Art often suffers from the affliction of having bought into the idea that if it doesn't serve industry, it has no place in the community, nor purpose thereof. There is a difference between a community, and a demographic. Thank you, Sananda Maitreya. P.S. And remember; 'If the fish is not on the end of YOUR line, then maybe YOU are the fish!'- 'Sushi Sue' & the Band Cheese. Sananda Maitreya & The Nudge Nudge Recorded live on March 21st 2013 www.Sananda.org
SANANDA MAITREYA at PIANO CITY MILANO - recorded live on saturday May 11th 2013 in Milano - Italy The SLOW FOOD movement? I'm still trying to recover from the SLOW PEOPLE movement. Plus, the lines at the slow food restaurants take too long! (And don't move fast enough). Which brings us to THE CONCERT OF THE BLOSSOMS. This PIANO CITY, MILANO event came about after a musician I greatly admire, LUDOVICO EINAUDI, asked me if I wanted a chance to just play piano. It was to be a part of a festival of solo piano taking place at selected areas all over the wonderful city village of Milano Italy. In courtyards, in open villas, in parks and in my case, gardens, pianists of all types and stripes descended upon the town claiming it for 3 days as their own. And leaving their individual stamps, where those impressions could best be felt. And Milano prides itself on being a music culture, with historic undertow to weight its claim. Classical, Jazz, New Age, Avant Garde, Boogie-Woogie; you name it, they came. For the first time in my professional memory, I were only required to play 40 minutes or so of instrumentation. No singing, no dancing and no other musicians to blame if I screwed up. And armed only with my brown herringbone flat cap, my trustworthy chords (and a couple of jokes just in case it rained) and accompanied by a long overdue sigh of relief, I sat down at a FAZIOLI grand piano beneath a tree blooming with radiance and played the set that I'd prepared (minus one song, which I managed to overlook 'Has It Been Too Quiet?') to a passel of people nestled amongst the shrubbery, flowers, trees, and pink blossoms coming out of their winter closets, and bursting to the limits of their own celebration. Nature's striptease discourse, one petal slowly clinging to its final touch, before loosening its grip and living its conclusions earthbound, or as a sailing vessel perhaps for ants and the beasts that silently crawl as they cross from the river's edge to the end of their voyage. These songs represent over a decade of the YIN aspect of POST MILLENNIUM ROCK'S journey through its own tunnels of exploration, hiding from GRAVITY'S GLITCHES while at least having left a blood trail back home from its Achilles' heel. These are the sounds that the vocabulary of my legacy has left to me. With what pieces we have, we are always striving to put HUMPTY DUMPTY back together, and so restored; RETURN TO ZOOATHALON. Hopefully, you will enjoy this little concert in the gardens in our fair city of Milano. Behind me was an ancient small Greek temple on whose steps I have often lingered and prayed. I dedicate the best of my love to you. I also dedicate this CONCERT OF THE BLOSSOMS to the ducks and swans in the pond surrounding us and the flowers that fingered the glistening days of May as we played! And we thank maestro Ludovico Einaudi and Piano City! We would also like to thank Treehouse Publishing. Sananda Maitreya. P.S. WE also give a shout out of respects to the fish that swam in the ponds and canals, and THIS MESSAGE: YOU ARE MY PEOPLE, and one day I shall return to you! Save me some water! ...and HUMPTY-DUMPTY is recovering quite nicely. He is now having the time of his life as the lead in SHAKESPEARE'S great play about a Prince, Danish and coffee, 'OMELETTE'. (Staggering back to his hotel room after a night of heavy carousing: "2B or not 2B. Or wait, was it room 2C"?)